The revolution of flowers: to thaw in dancing jasmines
From the FT: Tanks and heavily armed soldiers stand guard outside the headquarters of Tunisia’s former governing party. Below: Portugal, 1974.
I began a recent post with the following quote: Every revolution, Marx remarked, begins with flowers. I was not actually familiar with the original quote, and suspected it was taking a liberty. I had in mind the passage from Marx's Eighteenth Brumaire above, where Marx deliberately misquotes Aesop's fables. In Aesop's fable of The Boastful Athlete, an athlete claims to have jumped high in Rhodes, and a doubtful bystander says, "Here is Rhodes, jump here." Hegel uses the Latin for this as an epigram, but then translates it into German as “Hier ist die Rose, hier tanze”: “Here is the rose, dance here”. He is arguing that philosophy must deal with the concrete reality of the world, apprehend what is not what ought to be - the kernel of Marx's materialist worldview.
I have recently been in Portugal, and spent time reading about the carnation revolution of 1974, and more recently in Barcelona, where I was talking to people who remembered the democratisation in the late 1970s. And so when following the jasmine revolution in Tunisia, I had in mind the carnations of Lisbon.
In Russia in 1917, in Spain in 1931, in Portugal in 1974, across Eastern and Central Europe in 1989-91, there were moments of great flowering, often at the end of the winter, when huge numbers of people defied unbelievably brutal state machines to take to the streets and express their manifold demands. During this early phase, there is a high level of unity on the street, despite the vast range of demands expressed. It is during this period that we see striking examples of participatory democracy, such as in Tahrir Square, where the closing of the internet has opened up old ways of assembling and aggregating demands. The Muslim Brotherhood sits down with the feminists, youth and Coptic Christians; the bourgeois leaders like ElBaradei sit down with the striking workers. As Marx wrote:
The demands are often incommensurate with each other, and the energy only lasts so long. As often as not the revolution is channelled into either the normal order of liberal democracy (as in Portugal), or turns against the revolutionaries as the vanguard parties - Jacobin, Bolshevik or Islamist - take over.
I have not found a reference, and I am not sure exactly what they mean, but according to some Marxists (including John Rees), Marx or Engels spoke about the first phase of the revolution as the "revolution of flowers", the period of democratic unity around the myriad incommensurate demands. I am not sure why this is called the revolution of the flowers.
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Also read: History is Made at Night: Dancing in Tahrir Sqauare (highly recommended); Chris Harmon: The struggle goes on (1989); Roger Cohen: A republic called Tahrir; Nicholas Kristof: Militants, women and Tahrir Square; Dave Rich: Stars in their eyes; Harry Hagopian: Politics, religion and the Middle East; Yulia Tymoshenko: When revolutionary euphoria subsides: Lessons from Ukraine; Nick Cohen: Islam's appeasers on the run; Mahmoud Jabari: Wisdom is required.
An invitation to the dance
Come to the corner of Cross and Sickle
At eight sharp Put on your masks Look to
your bayonets Don't mind the barricades
Take your lives into your Hands off the morning's
tall sun straight through the question
men will ask How did you fare Tell them
our loves was like a town with gods there
Our love
was like the top of time and we above to look down
And were we sad or dead or simply tired
Tell then
dynamos were toys and towers and joy joy was hired
---Kenneth Patchen, 1936
Bourgeois revolutions, like those of the eighteenth century, storm more swiftly from success to success, their dramatic effects outdo each other, men and things seem set in sparkling diamonds, ecstasy is the order of the day – but they are short-lived, soon they have reached their zenith... On the other hand, proletarian revolutions, like those of the 21st century, constantly criticize themselves, constantly interrupt themselves in their own course, return to the apparently accomplished, in order to begin anew; they deride with cruel thoroughness the half-measures, weaknesses, and paltriness of their first attempts, seem to throw down their opponents only so the latter may draw new strength from the earth and rise before them again more gigantic than ever, recoil constantly from the indefinite colossalness of their own goals – until a situation is created which makes all turning back impossible, and the conditions themselves call out: Hic Rhodus, hic salta! Here is the rose, here dance!Marx's letters to his wife Jenny reveal a love of flowers, and this love of flowers finds its way into both his turgid poetry and into his more vivid philosophical and political writing. In his "Contribution to a critique of Hegel's Philosophy of Right", he has the image of religion as a chain entwined with flowers, and says that the task is not to pluck "the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation" (a good characterisation of the modern militant secularism of the Hitchkins), but to throw off the chain so we can feel the living flower. In one of his dreadful poems, he writes this of the man in the moon: "He pines, he yearns to be a song,/To thaw in dancing flowers." In his bitter attack on Prussian censorship, he writes: "The most essential form of the spirit is cheerfulness, light, but you make shadow the sole manifestation of the spirit; it must be clothed only in black, yet among flowers there are no black ones."
---Karl Marx The Eighteenth Brumaire of Hosni Mubarak (with apologies!)
I began a recent post with the following quote: Every revolution, Marx remarked, begins with flowers. I was not actually familiar with the original quote, and suspected it was taking a liberty. I had in mind the passage from Marx's Eighteenth Brumaire above, where Marx deliberately misquotes Aesop's fables. In Aesop's fable of The Boastful Athlete, an athlete claims to have jumped high in Rhodes, and a doubtful bystander says, "Here is Rhodes, jump here." Hegel uses the Latin for this as an epigram, but then translates it into German as “Hier ist die Rose, hier tanze”: “Here is the rose, dance here”. He is arguing that philosophy must deal with the concrete reality of the world, apprehend what is not what ought to be - the kernel of Marx's materialist worldview.
I have recently been in Portugal, and spent time reading about the carnation revolution of 1974, and more recently in Barcelona, where I was talking to people who remembered the democratisation in the late 1970s. And so when following the jasmine revolution in Tunisia, I had in mind the carnations of Lisbon.
In Russia in 1917, in Spain in 1931, in Portugal in 1974, across Eastern and Central Europe in 1989-91, there were moments of great flowering, often at the end of the winter, when huge numbers of people defied unbelievably brutal state machines to take to the streets and express their manifold demands. During this early phase, there is a high level of unity on the street, despite the vast range of demands expressed. It is during this period that we see striking examples of participatory democracy, such as in Tahrir Square, where the closing of the internet has opened up old ways of assembling and aggregating demands. The Muslim Brotherhood sits down with the feminists, youth and Coptic Christians; the bourgeois leaders like ElBaradei sit down with the striking workers. As Marx wrote:
“The February days originally intended an electoral reform by which the circle of the politically privileged among the possessing class itself was to be widened and the exclusive domination of the aristocracy of finance overthrown. When it came to the actual conflict, however – when the people mounted the barricades,... the army offered no serious resistance, and the monarchy ran away – the republic appeared to be a matter of course. Every party construed it in its own way. Having secured it arms in hand, the proletariat impressed its stamp upon it and proclaimed it to be a social republic... In no period, therefore, do we find a more confused mixture of high-flown phrases and actual uncertainty and clumsiness, of more enthusiastic striving for innovation and more deeply rooted domination of the old routine, of more apparent harmony of the whole of society; and more profound estrangement of its elements. While the [Cairo] proletariat still reveled in the vision of the wide prospects that had opened before it and indulged in seriously meant discussions of social problems, the old powers of society had grouped themselves, assembled, reflected, and found unexpected support in the mass of the nation, the peasants and petty bourgeois, who all at once stormed onto the political stage after the barriers of the July Monarchy had fallen.”For "the old powers", read the Muslim Brotherhood and the politicians that were in bed with Mubarak yesterday but claim some distance from him today.
The demands are often incommensurate with each other, and the energy only lasts so long. As often as not the revolution is channelled into either the normal order of liberal democracy (as in Portugal), or turns against the revolutionaries as the vanguard parties - Jacobin, Bolshevik or Islamist - take over.
I have not found a reference, and I am not sure exactly what they mean, but according to some Marxists (including John Rees), Marx or Engels spoke about the first phase of the revolution as the "revolution of flowers", the period of democratic unity around the myriad incommensurate demands. I am not sure why this is called the revolution of the flowers.
***
Also read: History is Made at Night: Dancing in Tahrir Sqauare (highly recommended); Chris Harmon: The struggle goes on (1989); Roger Cohen: A republic called Tahrir; Nicholas Kristof: Militants, women and Tahrir Square; Dave Rich: Stars in their eyes; Harry Hagopian: Politics, religion and the Middle East; Yulia Tymoshenko: When revolutionary euphoria subsides: Lessons from Ukraine; Nick Cohen: Islam's appeasers on the run; Mahmoud Jabari: Wisdom is required.
Comments
It makes sense to me that whatever change occurs will be managed by the army, and to the question is the army on the side of the people or on the side of the regime, the answer has to be the army is on the side of the army.
The question then is where does the army see its interests. They're not dependent on Mubarak personally. The army lives within the national culture, and can't exist separate from it, so if the national culture is profoundly changed by the uprising, that affects the army, but to what degree? And as for the army's financial well-being, and its sense of pride, here US public opinion is important. Support for the protesters is wide in the US, but how deep is it?
Here's a piece on the army from the NY Times concerning differences in perception between leadership and the lower ranks here.
There is also this: http://en.wikipedia.org/wiki/Mikhail_Bakhtin
Some people claim to see Bakhtin's 'Carnival' in these moments.
Tunisia gives a lot of hope.
But Egypt - I'm not at all sure about what is coming, and anyone who is has become swept up in the 'Carnivalesque'.
But there is always the day-after...
It's still distant, but there are hints of springtime:
some flowers, aching to bloom, have torn open their collars.
In this era of autumn, almost winter, leaves can still be heard:
their dry orchestras play, hidden in corners of the garden.
Night is still where it was, but colors at times take flight,
leaving red feathers of dawn on the sky.
Don't regret our breath's use as air, our blood's as oil --
some lamps at last are burning in the night.
Tilt your cup, don't hesitate! Having given up all,
we don't need wine. We've freed ourselves, made Time irrelevant.
When imprisoned man opens his eyes, cages will dissolve:
air, fire, water, earth -- all have pledged such dawns, such gardens to him.
Your feet bleed, Faiz, something surely will bloom
as you water the desert simply by walking through it
http://www.freemedia.at/singleview/5377/