[update: John Hamilton has replied here.]
RAISE YOUR BANNERS is a
festival of political song in Bradford, partly funded by a public body, the Arts Council. It has been going for sixteen years.
GILAD ATZMON is an Israeli-born jazz musician increasingly prominent (in the UK at least) in the last few years for his bizarre politics, and in particular his vitriolic hatred for Jews and his “iconoclastic”
insistence on questioning everything we know about the Holocaust. A group of radical writers including the SWP’s Richard Seymour recently
argued that “The thrust of Atzmon’s work is to normalise and legitimise anti-Semitism”. Trade unionist and
Socialist Unity blogger Andy Newman accused him
in the Guardian of “a wild conspiracy argument, dripping with contempt for Jews”. Cristina Odone has
said his recent book “splutters with anti-Jewish sentiment”. The Community SecurityTrust, the organisation dedicated to combating antisemitism, says that “he has been condemned as antisemitic by Jewish and non-Jewish anti-Zionists as well as mainstream Jewish organisations. This is not simply a case of harsh disagreements over Israeli policy. If somebody else made similar comments about Muslim identity, or black British identity, they would be generally condemned as Islamophobic or racist. We see no reason why Gilad Atzmon should be treated any differently... Anybody considering giving Gilad Atzmon a platform to spread these views, needs to ask themselves whether they want to help facilitate the spread of anti-Jewish hostility in this country.”
Gilad Atzmon is a man who finds throwing Jews into the sea
amusing. He is a man who
thinks that eventually some “brave people will say that Hitler was right after all”, that it might actually be the case that medieval Jews murdered gentile children for their blood, that Jews in America are “the enemy within”. He is a man who
uses BNP websites as a source for information. He is a man who thinks the Nazi death marches were “actually humane”.
Hot from
speaking at Exeter University (where, apparently, he said “Hitler was right” and “anti-Semitism doesn’t exist”*), Atzmon is due to appear at Raise Your Banners on Friday. Raise Your Banners has received complaints from supporters of the event going
since April 2011, including the Jewish Socialist Group, Bradford Trades Council and Hope Not Hate. Bradford TC
said: “"There is no way that Atzmon should play. The evidence against him is overwhelming. We are appalled at this decision and believe that this is a serious point of principle. Bradford TUC has long been at the fore of the anti-fascist movement in the area and it is in this tradition that we demand the withdrawal of Atzmon’s invitation."
In response, the festival’s secretary made this
oblique comment: “we have discussed the matter with the Palestine Solidarity Campaign and are satisfied that PSC have no boycott of Gilad Atzmon or events that he is involved in.” That reflects badly on the PSC, but is about as relevant as the price of fish. The director, Ludi Simpson, has
said: “We do not believe the claims of anti-semitism. If we did believe them then we would not have invited him. All our artists have signed up to our equal-opportunities policy. Our audience would not tolerate racist behaviour.” Presumably, if Nick Griffin signed an equal opps statement, you could invite him. Or you could actually read Atzmon’s words and realise that the “claims” of antisemitism are quite easy to believe. They also concede that "
Gilad Atzmon’s philosophical and political writings stir up... a strong reaction from their main target the Israeli government." In fact, the Israeli government is probably not that interested in this small fry, and this claim only works by ignoring the persistent criticisms of Atzmon by Zionism's harshest UK critics, such as Jews Against Zionism.
The
Arts Council has
stood by the festival, arguing that Atzmon was participating in the event “as a musician and not in his capacity as a political writer”. As Waterloo Sunset
notes, this is a disingenuous response: “As is clear from their own description, RYB does not separate music and politics in the way the Arts Council suggests. Atzmon is there as a political figure- the remit of the festival means he couldn’t be anything else.” The Arts Council also says it doesn’t want to "restrict an artist from expressing their views" and it believes in funding events and artists that show "a diverse view of world society". Presumably we can look forward to their funding of Skrewdriver concerts next, or hosting lectures by author Anders Breivik, because why restrict their diverse views?
SARAH GILLESPIE is a Brockley-based singer-songwriter with a gorgeous voice, also playing at the festival alongside Atzmon. I wrote
this about her last year, giving some examples of her own straying into dodgy territory. She has also been (along with Atzmon and Ernst Zundel) thanked by Paul Eisen in his text “My life as a Holocaust denier” for standing by him.
More recently, she has written a “defence” of Atzmon, circulating widely on the internet on Holocaust denial and 9/11 Truther sites, far right and white supremacist sites, as well as fringe leftist sites. Her defence claims that Atzmon is “on an intellectual quest for truth”, a familiar trope among Holocaust deniers.
She has in the past accused the BBC of being biased towards Israel because its Director General had a Jewish wife (“the man is far from ‘impartial’. His Jewish wife, the scholar Jane Blumfeild, hails from an American family that attends Yeshivas.”). Despite this, she was invited on to the BBC, appearing on Andrew Marr’s “Start the Week” on Radio 4
yesterday, along with Paul Kominsky of
The Promise, to discuss art and politics.
THE STRAWBERRY THIEVES are another Southeast London group booked at the festival,
a socialist choir led by John Hamilton, based in Telegraph Hill (that’s the posh northwestern corner of Greater Brockley). Hamilton
has been long-term involved in Maoist sects (I get them all mixed up: I think it’s the one called the Revolutionary Communist Party of Great Britain Marxist-Leninist!) but more recently has been a tireless activist in Lewisham, in the New School for New Cross and Save Ladywell Pool Campaigns (both campaigns I supported) and fronting the People Before Profit group in local elections.**
Local Labour councillor Mike Harris had a
guest post here when Hamilton used the opportunity of a solemn Holocaust Memorial Day service to shout “What about Gaza?” to a local rabbi who was talking about genocides.